They’re also a lot easier to read, and offer more customisation features to get them to appear exactly the way you want. For a start they work in realtime, constantly refreshing as you scrub or play through your footage. The scopes available in Resolve (the video versions of a Histogram) I find to be much more useful than those found in Premiere. The masking options available with Resolve’s node based system are extremely powerful, allowing you to separate things like skintones from everything else in your scene. Node based systems, though, do offer a lot more freedom, flexibility, and control over your footage. Especially if you’re transitioning from layer based systems such as Photoshop and Premiere. Getting used to node based systems for colour correction can be very difficult to get to grips with. Unlike Premiere, where colour and other effects are simply stacked on top of each other in a timeline, Resolve uses a node based system. I’ve been using Resolve for a few months now, and I’m far from being and expert, but it has some excellent advantages over other editing applications. This video covers so much, that it’s difficult to really pick out the key points. Normally, this is the part of the article where I’d link some timecodes throughout the video. So, as you’re fumbling around and trying to figure things out, you can quickly scan back and forth through the video to find the parts important to your current task. It covers pretty much the entire DaVinci Resolve 12.5 user interface. But it is a very handy reference while you’re learning to use the software. It’s certainly not a video you can watch start to finish and suddenly expect Spielberg to be knocking on your door.
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